3deluxe, Leonardo GlassCube - Bad Driburg, Germania
2007
[tratto da 3deluxe.de]
English text at the end. Dopo aver messo a punto una serie di architetture temporanee e diversi concetti di architettura virtuale, Leonardo GlassCube è il primo edificio permanente costruito da 3deluxe.
 © 3deluxe
 © 3deluxe L'edificio sorge a Bad Driburg presso la sede della Glaskoch Corporation, azienda tedesca che produce e disribuisce i famosi articoli da regalo in vetro. Il nuovo edificio è stato concepito come una significativa architettura aziendale che ora costituisce l'elemento principale del brand dell'azienda. Il Leonardo GlassCube trasmette agli ospiti ed al personale la filosofia aziendale ispirata da entusiasmanti visioni.
 © 3deluxe
 © 3deluxe Il layout dell'open space progettualmente pulito e multifunzionale ricopre un carattere di strategia aziendale che integrata collegamenti di zone dedicate alla presentazione dei prodotti, con sale per seminari e riunioni nonchè aree di lavoro e molto altre funzioni ancora su una superficie totale di 1200 mq.
 © 3deluxe
 © 3deluxe Leonardo GlassCube ha una facciata di vetro in interstrato decorativo DuPont SentryGlas Expressions su cui immagini trasparenti della campagna circostante sono state poste all'interno di 48 pannelli di vetro stratificato, ognuno di circa 2 x 6 metri. 3deluxe [www.3deluxe.de]
English textHaving developed a number of temporary architectures and several virtual architectural concepts, the Leonardo Glass Cube is the first permanent building implemented by 3deluxe. On the premises of the Westfalian company glaskoch who distributes glass products under the name 'Leonardo' a significant corporate architecture was created that now forms a central element in the brand’s overall communicative presence. As an atmospheric brandworld, the Leonardo Glass Cube conveys to guests and the staff alike the company’s philosophy and visions in an inspiring manner. The open floor plan layout of the clearly designed and multi-functional Leonardo building enables an integrative linkage of product presentation zones, seminar and meeting rooms, inspiring work areas and a lot more besides across a total area of 1,200 square meters.The glass façade of the building represents the passage to a hyper-naturalistic world with heightened aesthetic appeal. A transparent print slides into the insight or outlook as a subtly visible image plane. The graphically illustrated elements displayed on it were derived from the architecture and the surrounding landscape. They create a subtle puzzle, mingling with the reflections of their models in reality.The edificial structure consists of two formally contrasting elements: A geometrically stringent, cube-like shell volume and a freeform positioned centrally in the interior. The undulating, curved white wall encases an introverted exhibition space and its other side circumscribes the extroverted hallway along the glass façade. Three white sculptural structures – so-called ‘Genetics’ – connect the separate zones of the building to each other again. On the glass façade ‘Genetics’ appear again in a two-dimensional version. The superimposed pilaster strips are continued in a network of white concrete pathways that surrounds the entire building and lets it grow together with its location.In the centre of the interior ground floor and basement are connected by a void crossed by bridges. Entering the Glass Cube through the ground-floor main entrance, visitors encounter a space that opens up not just horizontally, but also upwards and downwards. On both floors the wall rolls in to form niches that are used for various functions such as themed product orchestrations and meeting lounges. In particular in the breaks in the wall these lines predominate as a significant graphic design element that is continued on the ceiling as a system of ventilation joints. On the side facing the façade, the material nature of the white surface is visually dissolved by means of a layer of gauze suspended in front. Dynamically programmed artificial light as well as the incidence of daylight sets colour highlights in the purely white interior and create a permanent change of athmosphere.3deluxe [www.3deluxe.de]
architecture;
architettura;
design;
edificio;
glass;
graphic;
light;
structure;
vetro;
Articoli attinenti:
Hiroki Tanabe, Shin Yokoo, Studio dentistico e abitazione - Nagano, Giappone (3%)
Zaha Hadid Architects, Installazione alla Serpentine Gallery - Kensington Gardens, Londra (7%)
studio GLASS architettura urbanistica, concorso area ex Ospedale Umberto I - Venezia Mestre (22%)
Norman Foster + Partners, Stadio Camp Nou - Barcellona, Spagna (6%)
Wolf D. Prix / COOP HIMMELB(L)AU, Villa Soravia - Millstatt, Austria (21%)
FAR frohn&rojas, Wall House, Santiago del Cile (36%)
Richard Meier, Jesolo Lido Hotel e complesso residenziale - Lido di Jesolo, Venezia (4%)
Archea Associati, Centro residenziale - San Giovanni (9%)
Archea Associati, Biblioteca di Nembro - Nembro, Bergamo (17%)
Daniel Libeskind, Felix Nussbaum Museum - Osnabrueck, Germania (7%)
LAN Architecture, Construction of offices - Saint Mesmes, France (67%)
Curiosity, C-1 - Tokio, Giappone (14%)
Giacomo Bonarelli, la scatola di vetro - Catania, Italia (26%)
Delugan Meissl, House Ray 1 - Vienna, Austria (2%)
Giacomo Bonarelli, Grigio quasi nero - Marina di Ragusa, Italia (58%)
LPzR Architetti Associati, Edificio residenziale - Milano, Italia (2%)
Marazzi Architetti, Nuova sede della provincia di Arezzo - Arezzo, Italia (8%)
William Alsop e Jan Stormer, Biblioteca in Peckham - Londra, Inghilterra (7%)
Felipe Assadi e Francisca Pulido, Casa Gatica - Rancagua, Cile (20%)
Jun Ueno, Una stanza di acciaio e vetro personalizzabile (50%)
MAB Architettura, Palazzo di Giustizia - Madrid, Spagna (12%)
Massimo Iosa Ghini, Collezione EQUo - Milano, Italia (40%)
Massimo Iosa Ghini, Cucina Key West - Milano, Italia (25%)
Massimo Iosa Ghini, divano Mambo - Bologna, Italia (33%)
Gianluca Littardi, UIA info point - Torino, Italia (18%)
Mario Bellini, Natuzzi Americas Headquarters, furniture showroom and office - High Point,North Caroline, U.S.A. (6%)
Massimo Iosa Ghini, Poste Italiane Agenzia 62 - Roma, Italia (25%)
Helin & Co. Architects, Villa Vetro - Porkkala, Kirkkonummi, Finland (11%)
Massimo Iosa Ghini, divano Pluff - Bologna, Italia (20%)
Diplomat design, Zilla chair (41%)
Massimo Iosa Ghini, Seat Pagine Gialle - Torino (8%)
LOKOMOTIV.archs office, City vs Sprawl - Nuova città sulla centuria Romana - Veneto, Italy (50%)
Divano Fluon Design Massimo Iosa Ghini (14%)
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Totale Articoli trovati 327
Letture 1836465
04/09/2010 @ 00:34:50
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